Listing 1 - 10 of 12 | << page >> |
Sort by
|
Choose an application
Motion picture music --- History and criticism. --- Musique de film --- Histoire et critique
Choose an application
Gervais, Charles-Hubert --- Composers --- Music --- Compositeurs --- Musique --- Biography --- History and criticism --- Biographies --- Histoire et critique --- Gervais, Charles-Hubert,
Choose an application
Music theater --- Théâtre musical contemporain --- History and criticism. --- Histoire et critique --- Aperghis, Georges. --- Théâtre musical contemporain
Choose an application
Choose an application
Many listeners and players are fascinated by Bach's Goldberg Variations. In this wideranging and searching study, Professor Williams, one of the leading Bach scholars of our time, helps them probe its depths and understand its uniqueness. He considers the work's historical origins, especially in relation to all Bach's Clavierübung volumes and late keyboard works, its musical agenda and its formal shape, and discusses significant performance issues. In the course of the book he poses a number of key questions. Why should such a work be written? Does the work have both a conceptual and a perceptual shape? What other music is likely to have influenced the Goldberg and to what extent is it trying to be encyclopedic? What is the canonic vocabulary? How have contemporaries or musicians from Beethoven to the present day seen this work and, above all, how has its mysterious beauty been created?
Bach, Johann Sebastian --- Music --- Musique --- History and criticism --- Histoire et critique --- Bach, Johann Sebastian, --- Criticism and interpretation. --- Gourzi, Konstantia. --- Barokmuziek --- Variaties --- Analyses --- Say, Fazıl,
Choose an application
L'écoute est peut-être l'activité la plus discrète qui soit. C'est à peine une activité : une passivité, dit-on, une manière d'être affecté qui semble vouée à passer inaperçue. Quelqu'un qui écoute, ça ne s'entend pas. J'ai pourtant rêvé d'une archéologie de nos écoutes musicales : une histoire de nos oreilles de mélomanes, de maniaques de mélodies en tout genre. J'ai voulu savoir d'où elles me venaient, ces oreilles que je porte et que je prête. Quel était leur âge ? Que devais-je, que pouvais-je faire avec elles ? De qui les tenais-je, à qui en étais-je redevable ? J'ai donc traqué tous les indices possibles." Peter Szendy. Dans ce livre, Peter Szendy pose une question fondamentale : Comment partager notre propre écoute. En effet, nous sommes auteurs de notre écoute. Elle nous appartient suivant l'histoire de nos oreilles. Alors comment faire partager ce que l'on entend à d'autres oreilles, vu que chacun perçoit différemment une musique, un son. Cette question est très pertinente. Il tente d'y répondre tout au long de cet essai http://www.levidepoches.fr/cequejecoute/2008/11/peter-szendy-ec.html
Music --- Musical criticism. --- Musique --- Critique musicale --- Philosophy and aesthetics. --- History and criticism. --- Philosophie et esthétique --- Histoire et critique --- Musicology --- Philosophie et esthétique --- Music - Philosophy and aesthetics --- Music - History and criticism --- Musical criticism --- Bruit --- Communication --- Philosophie --- Psychanalyse --- Psychologie --- Sémiologie --- Son
Choose an application
Choose an application
Music and romanticism --- Musique romantique --- Muziek [Romantische ] --- Romanticism in music --- Romantiek in de muziek --- Romantische muziek --- Romantisme en musique --- Opera --- Opéra --- History and criticism. --- Histoire et critique --- Music --- Theatrical science --- Germany --- 78.77.0 --- Opera allemand
Choose an application
België. --- Nederland. --- Music --- Musique --- History and criticism --- Histoire et critique --- History and criticism. --- History --- muziekgeschiedenis --- Belgium --- Netherlands --- 783.1 --- Cabaret --- Folk --- Geschiedenis --- Kerstliederen --- Kunst --- Middeleeuwen --- Muziek --- Muziekgeschiedenis --- Opera --- Polyfonie --- Populaire muziek --- Psalmen --- Rederijkers --- Reformatie --- Renaissance --- Sax, Adolphe --- Volksliederen --- Wereldmuziek --- 784.2 --- 784.3 --- 784 --- Barok --- Classicisme --- Hedendaagse muziek --- Rococo --- Romantiek --- Academic collection --- 520 --- #KVHA:Muziekgeschiedenis; Nederlanden --- #KVHA:Muziek; Nederlanden --- 78 <09> <491.9> --- 78 <09> --- 628 Muziek --- #A0204A --- 78 <09> Muziekgeschiedenis --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Muziekgeschiedenis ; Middeleeuwen --- Muziekgeschiedenis 15e en 16e eeuw --- Geschiedenis van tijdperken ; afzonderlijk --- Algemene muziekgeschiedenis --- Muziekgeschiedenis--De Nederlanden --- 78.21 --- 19e eeuw --- 20e eeuw --- Nederland --- België --- History of the Low Countries --- muzikale vorming --- Vietnam --- Zuid-Afrika --- Kust --- Schilderkunst --- Tekenkunst --- Literatuur --- Music - Belgium - Flanders - History and criticism --- Music - Netherlands - History and criticism --- Musique - Belgique - Flandre - Histoire et critique --- Musique - Pays-Bas - Histoire et critique --- Nederlanden
Choose an application
History --- Music --- Jewish religion --- Jews --- Jewish musicians --- Jewish composers --- Juifs --- Musiciens juifs --- Compositeurs juifs --- History and criticism. --- Biography. --- Biography --- Musique --- Histoire et critique --- Biographies --- History and criticism --- 78.91 --- Jews - Music - History and criticism --- Jewish musicians - Biography --- Jewish composers - Biography --- Muziekgeschiedenis --- 21e eeuw
Listing 1 - 10 of 12 | << page >> |
Sort by
|